Fictions OOP The ambiguity of scale and

The ambiguity of scale and substance helps the subjects transcend their source

In the summer of 1962

50 four-color plates

one that examines our understanding of culture and place in a manner that is poised between notions of right and wrong

Fictions OOP The ambiguity of scale andAnthony Goicoleas third book is an amalgam of photographs and drawings. Though the artist no longer uses himself as a model, he continues to use the motifs of his earlier work. All male, and under thirty, Goicoleas subjects seem to have left their public schoolboy roots behind and matriculated in an environment which is otherworldly, replete with codes and rituals unfamiliar to the viewer. Often appearing in matching uniformseverything from red hooded